EXHIBITION LISTINGS

SOMERSET SKILLS AND LEARNING SHOWCASE
Until 17 June
Round Tower Gallery, Black Swan Arts, 2 Bridge Street, FROME BA11 1BB
Monday - Saturday 10am - 4pm
01373 473980 Visit Website
A colourful and varied showcase of adult learners' work.
‘THE GLORIOUS CHILDREN OF TE TEMU’
Until 11 June
Salisbury Arts Centre, Bedwin Street, SALISBURY SP1 3UT
Tuesday - Saturday 10am - 3pm
01722 321744 Visit Website
Art Exhibition
‘DRAWN FROM NATURE’
Until 11 June
Ilminster Arts Centre, The Meeting House, East Street, ILMINSTER TA19 0AN
Monday - Friday 9.30am - 4.30pm, Saturday 9.30am - 2.30pm
01460 54973
Botanical artwork by The South West Society of Botanical Artists.
SUE GILMORE: ‘IN THE TIME OF ABSENCE’
1 June to 11 June
For Every Cloud Gallery, Bow Street, LANGPORT TA10 9PR
Wednesday - Friday 9am - 4pm, Saturday 9am - 2pm
01458 251475 Visit Website
Paintings, drawings and photographs
BATH OPEN ART PRIZE
Until 12 June
44AD Artspace, 4 Abbey Street, BATH BA1 1NN
11am - 6pm
Visit Website
Selected works from the wide ranging submissions from across the UK on show. A high standard and exciting range of prints, paintings, photography, sculpture, video and some conceptual works will be included with judged 1st and 2nd prizes and a people’s choice.
LIZ SHEWAN: ‘A SOUL’S JOURNEY’
2 June to 15 June
The Courtyard Gallery, Town Mill, Mill Lane, LYME REGIS DT7 3PU
10.30am - 4.30pm
Visit Website
New paintings, sculptures, photos and jewellery.
SOMERSET SKILLS AND LEARNING SHOWCASE
3 June to 17 June
Round Tower Gallery, Black Swan Arts, 2 Bridge Street, FROME BA11 1BB
Monday - Saturday 10am - 4pm
01373 473980 Visit Website
A colourful and varied showcase of adult learners' work.
BILL GOLDSMITH: ‘BEHIND THE LIGHT’
9 June to 18 June
Trowbridge Town Hall, Market Street, TROWBRIDGE BA14 8EQ
10am-4pm
01225 774306
An exhibition to commemorate the work of Bill Goldsmith
PETER HATES
Until 19 June
Sladers Yard, WEST BAY, Bridport DT6 4EL
10am -4pm
01308 459511 Visit Website
Peter Hayes ‘finds it joyful’ to work with many different clays from bone china to crank. He uses clay that is not meant to be suitable for raku firing so that it cracks in the kiln and produces the surface which is a signature of any Peter Hayes work.
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